Catalogue Group A side/B side Year
Number
MAK 008 Machakos Town Choir Hayati Kenyatta/Maisha Ya Dunia 1978
AIT/MAK 102 Machakos Town Choir Shangilieni Aliyezaliwa/Tufungulie Nuhu
AIT/MAK 103 Machakos Town Choir Abraham Na Isaak/Mali Ya Ulimwengu
AIT/MAK 7-104 Machakos Town Choir Upendo Wa Rais Moi/Telephone
AIT/MAK 105 Machakos Town Choir Mwanzo Wa Dhambi/Maisha Wa Kesho
AIT/MAK 106 Machakos Town Choir Wana Wawili/Mwaka Wa Wasio Jiweza
AIT/MAK 107 Machakos Town Choir Bustani Mwa Eden/Samson
AIT/MAK 108 Machakos Town Choir Jonah/Elijah
AIT/MAK 109 Machakos Town Choir Mariam/Leo Bwana Amezaliwa
AIT/MAK 110 Machakos Town Choir Mateso Ya Yesu/Maisha Yanatisha
AIT/MAK 111 Machakos Town Choir Kijana Tajiri/Mwokozi Akungoja
200 series
MAK 201 Machakos Town Choir Ewe Muhubiri/Kumtumikia Mungu
MAK 202 Machakos Town Choir Zawadi Ya Krismas/Jona Nenda Ninawe
MAKAO
A label dedicated to releases by the Machakos Town Choir from the late 1970s through to the early 1980s, Makao appears to have started out as an independent label releasing hymns and religious songs to raise funds and then been taken up by AIT who distributed its recordings across the nation.
The most likely catalyst for this change was the death of Jomo Kenyatta, the republic’s first president, on 22 August 1978. A time of national mourning and political uncertainty meant there was a real need for appropriate music on the radio, at public gatherings and in people’s homes.
MAK 008 and AIT/MAK 7-104 seem to bear this out. “Hayati Kenyatta” means “The late Kenyatta” suggests a tribute to his memory, while “Upendo Wa Rais Moi” - “Love of President Moi” - sounds like a rallying call to get behind Kenyatta’s successor, Daniel arap Moi.
Details of both these records were supplied by Sofiane of Groovy Record in Paris in April 2011. They provided the key to unlock details of other records in the AIT master catalogue, which are listed here.
The label name Makao means literally “dwelling place” or “residence” in Kiswahili. In this context, “House of the Lord” might be a better translation.
The 200 series singles appear in an Audio Productions dates December 1982, which suggests a shift in allegiance by the choir from one prodicer/distributor to another.